612 Royalty-Free Audio Tracks for "The Scale"

Atmosphere bass that wangs in your sub woofer. Its recorded in c5. Thats for the scale. It works in all daws.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Slow, ambient and distorted bass. Scale- e blues majorbmp-120was made in caustic 3.

Using a simple chuck script. It selects 4 tones from the 12 tone scale and repeats them.

The intro to L'Isle Joyeuse, by Claude Debussy. Created by Hyacinth (talk) 06:38, 19 January 2012 (UTC) using Sibelius 5.

Minor major seventh chord on C.

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Melodic half step in Bohlen-Pierce tuning (Equal Tempered)

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Solo trumpet improvisation performance recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.

I made this sound for scenarios with a massive explosion and large-scale damage to infrastructure, epic-sounding possibly nuclear explosion!.

Created by Hyacinth (talk) 18:38, 11 December 2011 (UTC) using Sibelius. Pentatonic scale used in Ravel's (1875–1937) Ma mère l'oye (1910) III. Laideronnette, impératrice des pagodes. Source: Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.37. Seventh Edition. ISBN 978-0-07-294262-0.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

F major scale in two octaves played on western concert flute F-durskala i to oktaver sammenbundet spillet på tværfløjte

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

A little creepy ambiance bed i made for a dnd game, this is a moon guitar gently plucking around a d minor scale, with a few harmonic exceptions here and there!.

Guitar riff with medium overdrive. Recorded with usb sound card - no noise. Should be in emaj scale?. This is one nice sound i found with several hours of work with my guitar equipment.

Beethoven Piano Sonata Op 22, 2nd movement, bars 30-32

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

In the song i use this it is played over an e-minor. The scale is either harmonic minor on b or h. M. 5 on f#. Sorry, i forgot which one it was exactly.

Recording of a quarter being scratched against a rough metal ledge along a desk.

Low-pitched. Mono. Dry. Descending chromatic scale played on the theremin. Saw-tooth, buzzy, giant robot steps. Recorded dry so you can add the effects you wish.

Sonified with audio paint, a blending of my friend joão's picture with this image rainbow and using 05-19 in the scale library.

Low-pitched. Mono. Dry. Ascending chromatic scale played on the theremin. Saw-tooth, buzzy, giant robot steps. Recorded dry so you can add the effects you wish.

*Bohlen-Pierce six steps on C = G. 36/13 = 877.83 cents. MIDI pitch bend: 115,56

*Bohlen-Pierce seven steps on C = H. 37/13 = 1024.13 cents. MIDI pitch bend: 92,71

*Bohlen-Pierce three steps on C = E. 33/13 = 438.91 cents. MIDI pitch bend: 57,76

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

*Bohlen-Pierce four steps on C = F. 34/13 = 585.22 cents. MIDI pitch bend: 34,59

Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.

*Bohlen-Pierce two steps on C = D. 32/13 = 292.61 cents. MIDI pitch bend: 81,61

F major scales without and with singers' formant at same loudness level sung by the same baritone singer. F-Dur-Tonleitern ohne und mit Sängerformant bei gleicher Lautstärke vom selben Bariton gesungen.

| - description - |. Atmospheric experimental music. E minor scale. Em, gm, f # m, am. | - made with - |. Harmor - fl studio. | - uses - |. For projects or whatever i wanted.

. . . But kind of happy?strange thing done on my modular synth. I use a minor scale for one of the parts. Still it sounds. . . Happy/crazy/unreal. . .

Consonant harmonies based on the odd harmonic overtones 3/5/7/9.

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Example of harmonic minor from the opening theme to Schumann's First Symphony (probably 1832/33 Zwickau, WoO 29).

*Bohlen-Pierce eleven steps on C = A♯/B♭. 311/13 = 409.35 cents. MIDI pitch bend: 126,66

Second septimal minor third on C = D♯-. Just intonation: 25/21 = 301.85 cents.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

*Bohlen-Pierce clarinet unison on C = C. Just: 1/1 = 0 cents. MIDI pitch bend: 0,64

Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

An ambient loop that was made with three instruments in caustic 3. Can be used as a ambient/emotional instrument in a song. Scale-c pentatonic minor110-bpm.

Euler-Fokker genus on C. 1/1, 9/8, 21/16, 3/2, 7/4, 63/32. C, D, F+, G, B♭, C+.

Multiple alternating square waves scaling up in pitch, designed inmilkytracker. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

I generated four square tones with increasing silence in between with audacity. The tones are the c major scale. It is very useful in old video games when you win or do something good.

Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: trumpet, drums, double bass, electric guitar.

A loopable recording. Played in dminor. The chords are: dm c b a90 bpm. Played on a washburn festival series guitar. Recorded with ableton.

I recorded several different guitar riffs played on an eastern, egyptian music scale and then multi-tracked the recordings. Polished the rendered audio a bit with reverbs as well.

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).